Tuesday, April 14, 2015

2015 Open Frame Film Festival

Congratulations to the winners of the 2015 Open Frame Film Festival held at the Canton Palace Theater on April, 11th 2015.

The 450 guests attending the festival were treated to 11 student films.  The program included romantic comedies, action thrillers, horror, suspense and short sketch comedies.  The festival concluded with the awards ceremony where the student artists listed below took home this year's hardware.

Best Community Contribution (Non-Malone student)
Casey Carmany

Jury Award
Peter Simionides and Akash Negi

Best Cinematography
Scott Whitaker - Lurch and the Scrawl

Best Actress
Jennifer Reed - Newlywednesday

Best Actor
Tim Carmany - Newlywednesday

Best Sound Design
Josh Bankert - Fatal Vengeance

Best Supporting Actor
Jared Landios - Newlywednesday

Best Supporting Actress
Emily Kublin - Hope Deferred

Best Screenplay
Hannah Morgan - Newlywednesday

Best Editor
Emily Cowen - Wait For It

Best Director
Hannah Morgan - Newlywednesday

Best Film
Hannah Morgan - Newlywednesday

Audience Award
Hannah Morgan - Newlywednesday

Scott Whitaker - Best Cinematography
With Director Dave Carmany and
Lurch and The Scrawl cast

Best Film, Best Director, Audience Award
Hannah Morgan and
Newlywednesday cast



Best Sound Design - Josh Bankert
with Director Tom Showen
Fatal Vengeance


Emily Kublin - Best Supporting Actress
With Director Steven Nzishura
and Hope Deferred cast


Jennifer Reed - Best Actress
Tim Carmany - Best Actor
Jared Landis - Best Supporting Actor
Casey Carmany - Community Contribution
with Hannah Morgan Director
and Newlywednesday Cast


Emily Cowen - Best Editor
Director of Wait for It
and cast

Thursday, January 22, 2015

15 Grants Available!

Don't forget that you can apply for up to $150 to use in the production of your Open Frame film submission.  The guidelines for the grant are listed in the Open Frame Film Grants link in the right sidebar of this blog.

The application process is simple.  Email me (spustay@malone.edu) to let me know that you would like to reserve a grant for your film.  Grants of up to $150 will be awarded to the first fifteen applicants, so DON'T WAIT.  Sign up early.  The deadline for all grant applications is Mar. 15.

If you're anxious about the process.  Don't be it's very easy.  Have a quick chat with Dave Harmony who received a grant last year.  Remember to keep receipts for all your expenses related to the film since you'll need to submit them to collect your reimbursement.

Need Help with Your Film Crew?

If you are looking for talented help in submitting your film for this year's Open Frame, we want to help.
Here's a list of talented students who are looking to join your crews and offer their services.  You'll find acting help, editors, cinematographers, grips, and more.  Click the link: CREW LIST to view the list.  Check back often as we'll be updating the list regularly.

If you are interested in volunteering your services to someone else's crew please email me (spustay@malone.edu) and we'll see that you get added to the list.

Two Weeks of Oscar

Join us for a celebration of Oscar!  It's going to be a great party as we share 8 Oscar winning films, covering 8 decades.  You won't want to miss the opportunity to miss these great films.  
The festival opens on Tuesday, Feb. 10 with Humphrey Bogart's classic thriller CASABLANCA.  We'll follow with AN AMERICAN IN PARIS - Feb 11, HEAT OF THE NIGHT Feb 12 THE STING Feb 13 THE KILLING FIELDS Feb 17 GOOD WILL HUNTING Feb 18, SLUM DOG MILLIONAIRE Feb 19, THE KING'S SPEECH Feb 20.

On Friday the 13th (The Sting) and Friday the 20th (The King's Speech) Pizza and drinks are on us!

All 8 films will be shown in CL49 beginning at 7pm.

Monday, October 27, 2014

Special Effects Plug Ins Now Available

We've got some exciting news for our film makers and story tellers!  If you've seen the opening scenes to Scott Whitaker's 'A Road Alone' (link to A Road Alone) winner of Best Film at last year's Open Frame, you're aware of the moody 'dutch tilt' he employed to hint that the world of this runner coming toward us was about to be turned on it's head.

Scott adds to the texture of his shot with a dreary rainy soundscape and a depressing drizzle.  You may have wondered how Scott's team patiently waited for the perfect storm to film that opening shot. Surprise ... it wasn't raining at all ... Scott added the rain and colored the shot digitally with some special effects plugins available in Final Cut Pro.

So you can make it rain, make it snow, cloud up with fog or even fill the scene with grit and debris.  All possible with a suite of Final Cut Pro plugins that we've purchased for use in your movies and video story telling.  We've added Snow generators, Smoke, Fog, Grit and Grime, Color Texture and of course realistic rain effects software to our special effects arsenal available to you.  For a look at what you can accomplish with these effects check out the Pro Rain plugin here: http://store.pixelfilmstudios.com/plugin/effect-prorainvolume2.  While you're there, you can also check out ProGrit, ProFog, ProSmoke, ProSnow and ProToner, all of which we have made available for use in your projects.

For more information or a tutorial on how to use them email Steve Pustay: spustay@malone.edu.

Thursday, October 2, 2014

Scriptwriting Contest Now Open

Open Frame Scriptwriting Contest / Challenge Opens!

The 2014-15 edition of the Open Frame Scriptwriting contest opened on Thursday, October 3rd.

The contest is open to any currently enrolled Malone University student.  It's your opportunity to sharpen your pencils and put that story that you've been dying to tell to paper.  You'll not only be stretching your writing 'chops' but the feedback on your scripts may prove valuable in framing and telling your unique story.

Each year talented Malone Alumni jury the scripts that are turned in -- which means that each script gets feedback from at least three judges including both numerical ratings and some narrative feedback.   You'll find, as an emerging writer, that getting serious feedback from good writers and readers is a rarity and a real privilege.  What better reason to start knocking out that script today.Scripts may be in any genre. Fresh innovative stories told in a cinematic way are best. Scripts mayrange from one minute to sixteen minutes (one minute = one page in screenplay format). Scripts must be submitted in standard screenplay format. Scripts MUST include a title page, but may NOT include the authors name. (we recommend celtx.com)

You should submit your script by email to Steven Pustay at his Malone email address (pustays@malone.edu).  All scripts must be delivered in PDF format. Again, with a title, but NO authorial name. Your submission email should include: Your name, phone number and script title.

Deadlines are good things! Nothing like the pressure of a deadline to provide that lift to the discipline of banging on those keys and getting it done!  All scripts must be emailed on or before Tuesday, November 11th to be considered for the award.

Malone Alumni Featured Guests at Canton Film Festival

2007 Malone University Graduates and Open Film filmmakers Jake and Erin Brown Thomas are returning to Canton as guests of the 2014Canton Film Festival.  The Canton Film festival is hosting  

a Q&A session with Erin and Jake on Friday, Oct. 3rd at 3:30 at the Palace Theater.

The couple will share their thoughts on directing, producing, scriptwriting and the creative and competitive business of filmmaking.  Their most recent collaboration, Hotwire the Movie (https://www.facebook.com/HotwireMovie/info?ref=page_internal), directed by Erin written by Jake is doing well on the festival circuit.

Both Jake and Erin are listed on IMDB and your can find their complete filmography here.  Erin (http://www.imdb.com/name/nm3367798/) and Jake (http://www.imdb.com/name/nm3737381/?ref_=fn_al_nm_2).

Jake and Erin have also served as jury members for the Open Frame Film Festival, most recently in 2014.  Both describe their involvement with the Open Frame Film Festival while students at Malone as influencing their desire to work in the industry and as helping them build their filmmaking skill sets.