Congratulations!

This year marked a new record in that eleven scripts were submitted for the Open Frame.

A panel of 18 alumni carefully poured over these submissions. Using a standardized ranking system, each writer will have the opportunity to receive feedback about their script this year. Due to the generosity of our alumni judges, Malone students will be able to read open-ended feedback and statistical responses -- an unusual privilege for beginning writers. (THANKS, alumni!)

Four scripts have been selected as winners this year (though only two will proceed to department-sponsored production); it is my sincere hope that each of these scripts will be developed into short films, regardless of the department sponsorship.

The next two weeks of our contest will provide directors the opportunity to apply for the department-sponsored film. You can read more about the director's contest here.

The winning scripts this year include:

THAT KIND OF AFFECTION by Erin Chilensky

BENEDICT SEXTON by Dusty Jenkins

KEEPSAKES by Alyssa Pearson

(W)HOLE by Taylor Hazlett

Congratulations to all four writers and to the rest of the writers who submitted their work to the Open Frame Script Contest. Thanks for your hard work, developing craft and your commitment to creativity, vision and beauty!

Director's Contest

This year, the directors contest will build on the Open Frame Writing Contest in a new way.

Each director applicant must turn in the following materials by November 12th at midnight:

1. A director's vision statement of one of this year's winning scripts.

2. A list of (1 - 3) producers or *key players* (editor, cinematographer, art director, lead actor) they have (tentatively) recruited for the project.

3. A 30 second - 2 minute reel, posted on youtube or vimeo, demonstrating their abilities as a director.

*please email Andrew Rudd for copies of this year's winning scripts.

Your Director's Reel

A director's reel may be comprised of previous projects you've completed. These projects may vary from newsreel footage to photography to other short films.

You will probably want to demonstrate some ability to use visual storytelling for dramatic development during at least one portion of the reel. The reel does not need to include sync sound, but it may.

You may collaborate others to help you create the reel -- a Director of Photography, an editor, and actors. You may also use footage from earlier projects that you participated in as a DP, editor or director.

Please only use music legally for your reel.

You may want to even shoot something as simple as dialogue from one of the winning scripts, using a flip cam and some good light.

A Director's Vision Statement

Should include a re-telling and analysis of the script they are proposing to direct.

(Directors may create vision statements for as many of the scripts as they would be willing to direct.)

A director's vision statement should highlight the key emotional highlights of the script and explain some ideas for executing the more challenging technical dimensions of the script. The director should include a statement about why this project works for them personally.

A directors vision statement should be no more than one typed page.

SCRIPT Deadline This Monday - October 26th 5 pm

Applications for the DIRECTOR of the COMMUNICATION ARTS DEPARTMENT SPONSORED FILM have been postponed until November 6th.

Scripts are due to Andrew Rudd by email by 5 pm. Scripts should be either in CELTX format or PDF. They MUST include a title page, but may NOT include the author's name. Scripts must be 17 pages or SHORTER. Treatments are welcome to be entered, but will receive less consideration than completely written scripts.

The scripts will be read and ranked by a jury of distinguished alumni. All readers have made short films and many currently work in entertainment industries. The winning scripts will be announced on Monday, November 2nd.

In the email you attach your script to, you should list your name, major, script name, and indicate whether you would:

a. prefer to direct your script, but would allow someone else to direct it,
b. prefer NOT to direct your script, and desire another director for it,
c. be ambivalent about whether you direct your script,
d. prefer to direct your script, and would not want your script to be directed by anyone else.

Good Ideas + Good People = Good Conversation

Thanks to Jay Oldaker for the sweet image (above) -- and for live tweeting the event. Check his tweets for some helpful links.

Our presenters Bo Bishop, Connie Collins and Candee Kramer all had really varied, but very helpful things to say about the art of story and the writers life. We had 35 attendees and plenty of delightful and enriching practitioners, artists, students and professionals. (click Bo & Connie's links in order to see some of their work)

Afterward, more than half of the audience stuck around for short films made by the presenters.

Thanks to Kerrie Fisher, Dalton Proverbs, Ashley Smith, and Connie Clapper for lots of the behind the scenes magic that made the event so enjoyable!

Thanks to our presenters for being so honest, available and engaging!

Don't miss the next INDIE FILMMAKER WORKSHOP: PRE-PRODUCTION on October 27th, 7:30 in Silk Auditorium.

INDIE FILMMAKERS WORKSHOP: Screenwriting for the Short Film

The Open Frame Film Festival at Malone University will hold an

INDEPENDENT FILMMAKER’S WORKSHOP on SCREENWRITING FOR THE SHORT FILM

on Tuesday, September 15th at 7:30 p.m. in the Silk Auditorium.

The workshop was created to help prepare student writers as they develop short films for the OPEN FRAME FILM FESTIVAL, but community members are welcome.

An expert panel of screenwriters, living locally, but whose work has garnered wide acclaim, will talk about the skills, habits and experiences of successful screenwriters. Beginning writers won’t want to miss the opportunity to hear from and meet screenwriters Connie Collins, Bo Bishop, and Candee Kramer. Dr. Andrew Rudd, also an award-winning screenwriter will moderate the panel.

Filmmaker Connie Collins has written and produced two short films, one of which played at the Cleveland Film Festival among other festivals. Connie has also written and produced two socially-conscious documentaries dealing with solutions for prostitution.

Bo Bishop graduated from Columbia University. Bo has written and directed a remarkable short film, Miles Wynberry of Glendale Lane. He has written multiple full length screenplays, too. His script Glass Factory Tours has garnered the attention of Hollywood producers.

Candee Kramer was a finalist in the Movie Deal Contest & a semifinalist in the Screenwriting Expo contest for short film scripts. A feature length script placed in the top 5% of the MORE Women in Film contest. She’ll be wrapping shooting on her first short film as a producer just days before she joins us for our workshop.

This event is FREE! But only 30 participants may participate in this hour-long workshop, so RSVP to Kerrie Fisher by phone (330.471.8201) or email (kfisher @ malone dot edu) ASAP. First come, first served.